New York Times bestselling author Kelley Armstrong returns to Victorian Scotland in the latest in the genre-blending Rip Through Time series.
Modern-day homicide detective Mallory Mitchell has grown accustomed to life in Victorian Scotland after travelling 150 years into the past into the body of a housemaid. She’s built a new life for herself. Even though she works as an assistant to forensic-science pioneer Dr. Duncan Gray and Detective Hugh McCreadie, she considers them true friends. And with Gray in particular, perhaps, someday, something more.
Late one night, Gray and Mallory are summoned urgently to the home of Lady Adler, a patron of Gray’s undertaking business, and they assume there's been a death in the household. But instead, they arrive in the midst of a seance with a ghost demanding Gray's presence. The ghost is Lady Adler's former maid, who had gone missing but now requests that Gray investigate her murder. Although Gray and Mallory are skeptical, they agree to look into the matter, whether she's dead or alive. But unsure if there's been a murder or not, unable to call out the medium as a fraud, and concerned for the fate of the young maid, Gray and Mallory are once again drawn into a mystery much more puzzling--and more dangerous--than it first seems
The series
In a city cloaked in gaslight and grit, where every shadow seems to whisper a secret, time tears open—and someone falls through.
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Rip Through Time unspools its mystery with eerie elegance, blending historical suspense, slow-burn crime drama, and a speculative twist that sidesteps the usual time-travel tropes. The series begins not with a machine or a portal, but with a single, brutal attack that rips a 21st-century homicide detective out of her world and into the body of a woman in 1869 Edinburgh. What follows is not a frantic scramble to get home, but a calculated reckoning with the past—its brutality, its beauty, and its buried truths.
At the center of this atmospheric crime series is a woman out of time, forced to hide her identity while using modern instincts to navigate a world that barely tolerates her presence, let alone her intelligence. The city itself becomes a living character: dark alleys, bloodied cobblestones, and drawing rooms hiding crueler truths than any backstreet. As she becomes entangled in Victorian-era murder investigations, the clash of eras reveals not only how far we've come—but how much still lingers in the dark.
What makes this series stand apart isn’t just the clever interplay between historical detail and investigative grit—it’s the tension that hums beneath every interaction, the danger of being discovered not just as a stranger, but as a woman with knowledge no one can explain. It’s a story built on dualities: instinct vs. decorum, memory vs. illusion, and the kind of justice that doesn’t always follow the letter of the law.
For readers who crave crime fiction with a twist of the uncanny—and a setting that drips with gothic mood—this series offers a slow burn with a sharp edge, where every solved murder raises deeper questions and time itself might be the most dangerous thing of all.
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